Here's my video. I planned to make an AMV ages ago, and now I finally did it. (will you look at that!) When I began working on it, I had no idea that this series is that overused. I actually didn't know anything about making AMVs. That hopefully changed over the past months, because... well, I made an AMV. Twixtor. I used it for a lot of GMVs and it seemed only natural for me to use it for this AMV as well. I didn't want the "pseudo-frameblending" that is used in most 60FPS-videos (Twixtor over footage => frameblending only between differing frames => "high-level-stuttering") , which meant I had to go through everything I recorded and remove every duplicate frame of an animation manually with time-remapping. It doesn't surprise me anymore that I didn't see a single editor who's done that before ... (Update: Seems like I didn't know Artofeel) A shoutout to Kraddy, because his tracks are simply phenomenal to edit to.
Also, have some additional technical facts: Editing-Software: Adobe After Effects CS6 Plugins: Twixtor VideoCopilot Twitch VideoCopilot Optical Flares Trapcode Shine Audio-Software: Adobe Audition CS6
some more Twixtor tips rather than manually find duplicates, use the option: Input: Frame Rate for example, you have a source with a 23.976 fps, for convenience, you need to set it equal to 24 fps (interpret footage -> main), same with 29.98 -> 30 then you simply points Input: Frame Rate to 12 (if every second frame unique) or 8 (if one-third) Twixtor will do everything for you you only need to define is 8 or 12 unique frames per second in a particular scene (you probably already know that it may be a variable sometimes in the same scene)
and another trick if the difference between the frames is too big (it is better not to use Twixtor, as I mentioned earlier) in the Frame Interp use parameter Nearest, and when the difference is minimal, shift (keyframe) to Motion Weighted Blend
Нет слов! И, сами знаете, что закончилось! Но вот бы еще за концептом больше смысла просматривалось. Хотя Психоделику и Экшону он (смысл) и не шибко то нужен. Участвовал бы в Контесте 2012 - точно сражался за призовые места в нескольких категориях.
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музяка забавная.
rather than manually find duplicates, use the option: Input: Frame Rate
for example, you have a source with a 23.976 fps, for convenience, you need to set it equal to 24 fps (interpret footage -> main), same with 29.98 -> 30
then you simply points Input: Frame Rate to 12 (if every second frame unique) or 8 (if one-third)
Twixtor will do everything for you
you only need to define is 8 or 12 unique frames per second in a particular scene (you probably already know that it may be a variable sometimes in the same scene)
and another trick
if the difference between the frames is too big (it is better not to use Twixtor, as I mentioned earlier) in the Frame Interp use parameter Nearest, and when the difference is minimal, shift (keyframe) to Motion Weighted Blend